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Interdisciplinary artist and researcher, with her most recent practice centred on the artistic and theoretical exploration of the aesthetics and ethics of machine learning applications in visual computational processes. Tracing the impact of emergent technologies in popular culture under critical theory and philosophy in media and arts, her work activity spans through various disciplines - from visual arts, to coding, writing, and music.
Currently, she is pursuing her practical and theoretical PhD research at the intersection of critical AI and Law at the Metaverse Lab [LIFT_C] at the Johannes Kepler University Linz, and she is a Lecturer in Feminist Hacking Strategies for the MA Postdigital Lutherie at the Tangible Music Lab / Kunstuniversität Linz.
Exhibited at festivals such as Ars Electronica, Speculum Artium, ESOF Trieste, The Wrong. She is the recipient of the art+science AI Lab Award (RS) 2020. Works recently published in Leonardo Journal (Vol. 57) and The Practice of Art and AI by Hatje Cantz.
Interdisciplinary artist and researcher, with her most recent practice centred on the artistic and theoretical exploration of the aesthetics and ethics of machine learning applications in visual computational processes. Tracing the impact of emergent technologies in popular culture under critical theory and philosophy in media and arts, her work activity spans through various disciplines - from visual arts, to coding, writing, and music.
Currently, she is pursuing her practical and theoretical PhD research at the intersection of critical AI and Law at the Metaverse Lab [LIFT_C] at the Johannes Kepler University Linz, and she is a Lecturer in Feminist Hacking Strategies for the MA Postdigital Lutherie at the Tangible Music Lab / Kunstuniversität Linz.
Exhibited at festivals such as Ars Electronica, Speculum Artium, ESOF Trieste, The Wrong. She is the recipient of the art+science AI Lab Award (RS) 2020. Works recently published in Leonardo Journal (Vol. 57) and The Practice of Art and AI by Hatje Cantz.
: ABOUT / CV
: WORKS : PORTFOLIO DOWNLOAD
CURRENT / UPCOMING
︎ Occulture Conference, MaHalla, Berlin, exhibition | 23-26/10/25︎ Aarhus 2025: Computation (X) Crisis, decennial conference, Aarhus | 18-22/08/25
︎ HUMAN OVERSAIGHT: THE OPS ROOM / UPCOMING: Ars Electronica Festival | 03-07/09/25
Ω #postdigitalpunk a research in music and self-built instruments w/ Obi Blanche
M︎L / INTERACTIVE / GENERATIVE
HUMAN OVERSAIGHT: THE OPS ROOM / in progress
Ø AIAMANAI: LOOPS [2024]
PROMPT: WAR STORIES [2022-23]
POWER STRANGERS [2021]
FUTUREFALSEPOSITIVE [2021]
MŒRÆ III [2021]
DIGITAL PRAYER [2020]
SURVEILLANCE DISCO [2018]
THE UNCANNY MIRROR [2017]
Ø AIAMANAI: LOOPS [2024]
PROMPT: WAR STORIES [2022-23]
POWER STRANGERS [2021]
FUTUREFALSEPOSITIVE [2021]
MŒRÆ III [2021]
DIGITAL PRAYER [2020]
SURVEILLANCE DISCO [2018]
THE UNCANNY MIRROR [2017]
+ RESEARCH : CONFERENCES+WRITINGS+INTERVIEWS
︎ re:publica25: Generation XYZ, STATION Berlin | panel︎ Winchester School of Art, University of Southampton: Guest Lecture + Artist Talk
︎ Top-Rated LGA Abstracts 2023. Leonardo 2024; vol 57 (5): 540–546.
︎ COMPUTATIONAL AESTH-ETHICS: Understanding visual
computation processes between the image and its context
︎︎︎ VIDEO
THEY WILL CALL ON ME, BUT I WILL NOT ANSWER [2018]I WILL DISAPPEAR THROUGH YOUR SCREEN [2018]
DOWN [2017]
MŒRÆ I [2017]
︎PRINT
MŒRÆ II [2017]
CAGES [2017]
X ALL EXITS ARE FINAL [2024–]
X ALL EXITS ARE FINAL [2024–]