Kristina Tica (*1995, Belgrade) completed her BA in Painting, University of Fine Arts and MA in Digital Arts, Faculty of Media and Communications in Belgrade and an MA in Interface Cultures,  at Kunstuniversität Linz. She was a guest student at Central Saint Martins, UAL and Slade School of Fine Art, UCL.

Her practice is focused on practical and theoretical research in machine learning and critical AI. Using machine learning algorithms to create her works, she is addressing and questioning aesthetic and ethical elements of the implementation of such tools, following the current innovations in automated image-making and image-reading processes. Her body of work explores semiotic keys and visual languages in different media, such as painting, video, installation and generative new media art with elements of interactivity.

Her works have been exhibited at festivals such as Ars Electronica (AT) (2020, 2021, 2022), Speculum Artium (SI) (2020, 2021, 2022), European Open Science Forum Trieste (IT) (2020), The Wrong (2017, 2019, 2021). She is the recipient of the art+science AI Lab Award (RS) 2020. Her work has recently been presented in The Practice of Art and AI published by Hatje Cantz. She currently lives and works in Linz.


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LEONARDO NETWORK DIRECTORY




CV



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EDUCATION 

2020-23 MA Interface Cultures, Kunstuniversität Linz

2017-20  MA Digital Arts, Faculty of Media and Communications, Singidunum Univeristy Belgrade
2017        Summer Programme: The Expanded Field of Drawing, Slade School of Fine Art, University College London

2016        Study Abroad Programme: Contemporary Fine Art Practice, Central Saint Martins, University of the Arts London

2013-17   BFA Painting, Faculty of Fine Arts, University of Arts Belgrade


EMPLOYMENT

2022          Project Manager at Ars Electronica Festival, Linz

2019-22    Gallery Assistant at Eugster || Belgrade, Belgrade

2016-17     Art Director at ‘Hadži atelier-bar-gallery’, Belgrade



SOLO EXHIBITIONS

2020        Digital Prayer, Remont Gallery, Belgrade

2019         Cabaret Mystique, Le Studio Theatre, Belgrade



FESTIVALS

2022       Crossing the Bridge: Interface Cultures @ Ars Electronica Festival, JKU, Linz
2022       Speculum Artium, New Media Festival / Digital Big Screen 360, DDT, Trbovlje
2022       PROSTHETIC #3: ZERO AGENCY, The Wrong, online biennial, curated by Darko Vukić / co-organised by Kristina Tica

2021        Speculum Artium, New Media Festival, DDT, Trbovlje
2021        Interface Cult: Interface Cultures @ Ars Electronica Festival, Linz

2020       Speculum Artium, New Media Festival, DDT, Trbovlje
2020       Ars Electronica Garden Belgrade, In Kepler’s Gardens, Ars Electronica Festival, online + Linz
2020       Both Ways, EuroScience Open Forum, Trieste, curated by Maja Ćirić and Dobrivoje Lale Erić

2019        The Wrong, Prosthetic Pavilion Vol. 2, online + Remont Gallery, Belgrade, curated by Darko Vukić
2019        Festival S.U.T.R.A., Museum of Science and Technology, Belgrade, curated by Ivan Stanić

2018        5th Mr Vorky International One-Minute Film Festival, Ruma

2017        The Wrong, Prosthetic Pavilion,  online, curated by Darko Vukić



SELECTED GROUP EXHIBITIONS

2023       Im Auge der Infodemie (In the Eyes of the Infodemic), SPLACE, Linz, curated by Simone Barlian and Fina Esslinger

2022       Remix Culture: Interface Cultures@the AI&ART pavilion for Esch 2022, Belval / Esch zur Alzette
2022       DWHX x IC : online studios | Rup†ure!, Das Weisse Haus, Vienna, online program
2022       refinerymonastery: 20th Pančevo Biennial, Pančevo, curated by Maja Ćirić
2022       An[Other] Creativity in AI, Wavelab, University of Theatre and Music, Munich, curated by Christl Baur
2022       Poetics of Obsolescence, Atelierhaus Salzamt, Linz, curated by Indiara Di Benedetto and Gebhard Sengmüller
2022       New ULUS Members Exhibition, Cvijeta Zuzoric Art Pavillion, Belgrade

2021        Things To Come, KC Dorcol, Belgrade, curated by Brajan Vojinović
2021        Entanglements, U10 Art Space, Belgrade
2021        Trijenale male platike i crteža, ULUS, Umetnički paviljon Cvijeta Zuzorić, Belgrade, curated by Kristina Sedlarević

2020        Sankt Interface, Interface Cultures, Kunstuniversität Linz, Linz
2020        Art+Science Lab, Magacin u Kraljevića Marka, Belgrade, curated by Maja Ćirić and Dobrivoje Lale Erić

2019        Phenomenon of Participation in Art, Remont Gallery, Belgrade, curated by Kristina Sedlarević
2014-19   Interventions 3 - 15, Magacin u Kraljevića Marka 4, Belgrade

2018        Bye, photography!, ARTGET Gallery, Belgrade Cultural Centre
2018        Department of Digital Arts Exhibition, Kvaka 22 [Catch 22], Belgrade
2018        [DE]Construction, Kvaka 22 [Catch 22] Gallery, Belgrade

2017         Lithography workshop’s 10th anniversary, Gallery of The Faculty of Fine Arts, Belgrade
2017         Drawings Exhibition, Cvijeta Zuzorić Art Pavilion, Belgrade
2017         The Expanded Field of Drawing Course Exhibition, Slade School of Fine Art, London
2017         3rd International Print Triennial, Instytut Sztuki, Cieszyn
2015-17    Student’s Drawing and Sculpture Exhibition, Belgrade Youth Centre, Belgrade

2014        FESTUM, University of Arts Student Festival, Drawing Exhibition, SKC, Belgrade
2014        Awarded Students Exhibition, Gallery of The Faculty of Fine Arts, Belgrade



AWARDS

2020       art+science AI Lab National Selection Award, Center for the Promotion of Science, Belgrade

2018        Best Student’s Project for MA Digital Arts, Faculty of Media and Communications, Belgrade
2018        Best Serbian Film, 5th Mr Vorky International One-Minute Film Festival, Ruma

2014        Best Student’s Drawing of The Faculty of Fine Arts, University of Arts, Belgrade


PUBLISHED TEXTS

2024     “Computational Aesth-ethics”, Expanded Visualities: Photography and Emerging Technologies, Journal of Philosophy
and Photography, special issue (spring 2024), ed. Theopisti Stylianou-Lambert Kleanthis Neocleous and Andrew
Fisher / upcoming

2023      Computational Aesth-ethics: Understanding visual computation processes between the image and its context

2021      The Practice of Art and AI, Ars Electronica, Hatje Cantz (p.113)

2020      Fantazija o kiborgu?, Tag Net Magazine [srb] / Cyborg Fantasy?, Tag Net Magazine [eng]


CONFERENCES / PANELS

2023    xCoAx 2023, 11th Conference on Computation, Communication, Aesthetics & X, Weimar | presenter / upcoming

2022    06 International Conference of Photography and Theory (ICPT), Expanded Visualities: Photography and Emerging Technologies,  Nicosia | presenter
2022    Social Marginalisation and Machine Learning: Defying the Labels of the Machinic Gaze, Autograph ABP Gallery, London + online | presenter
2022    Digital Day 2022 Conference: The end of the world as we know it, Belgrade | panel moderator
2022    Artificial Creativity, Wavelab: University of Music and Theater Munich, | guest presenter
2022    ART IN STEAM Conference 2022, Johannes Kepler Universität + online, Linz | presenter

2021    Follow the Current, panel discussion, Ars Electronica, Belgrade Garden | moderator, organiser



LECTURES / TALKS / INTERVIEWS / VIDEO

2022    DORFTV, Crossing the Brigde: Interface Cultures @Ars Electronica Festival
2022    ARA: Bistro, Luxembourg | exhibition introduction, 28/06/2022
2022    Kulturni Centar, RTS2 11/05/2022 [10’ 15” rs]

2021     FUTUREFALSEPOSITIVE, short interview, Interface Cultures @ Ars Electronica Festival

2020    Inside Festival: Serbia, Helsingør: From AI Lab to Collective Memories and Garden of Digital Prayers
2020    Artist Talk - Ars Electronica / In Kepler’s Gardens / Youtube
2020    Kulturni Dnevnik RTS 01/09/2020 [rs]
2020    Radio Beograd 2 emisija Digitalne Ikone 25/08/2020 [40’ rs]
2020    radio elementi: RadioAparat 28/06/2020 [rs]
2020    online razgovor o izložbi Digital Prayer u galeriji Remont 03/07/2020 [rs]



WORKS IN PUBLIC SPACE

2017       Mural Chess game, Market Road Gallery, London


WORKSHOPS AND OTHER PROJECTS

2014-19  Interventions 3 - 15, Magacin u Kraljevića Marka 4, Belgrade
2017       Creative Workshop assistance, Royal Docs Learning and Activity Centre, London


WORKS APPEARED IN SCENOGRAPHY

2019        Prom Queen, dir. Gvozden Ilić, Faculty of Dramatic Arts, University of Arts, Belgrade
2017        Short Lives [28’ 30’’], dir. Jovan Dimoski, Faculty of Dramatic Arts, University of Arts, Belgrade
2013        Pain [04’ 03’’], dir. Matija Milutinovic, Academy of Fine Arts Belgrade



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