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Interdisciplinary artist and researcher, with her most recent practice centred on the artistic and theoretical exploration of the aesthetics and ethics of machine learning applications in visual computational processes. Tracing the impact of emergent technologies in popular culture under critical theory and philosophy in media and arts, her work activity spans through various disciplines - from visual arts, to coding, writing, and music.
Currently, she is pursuing her practical and theoretical PhD research at the intersection of critical AI and Law at the Metaverse Lab [LIFT_C] at the Johannes Kepler University Linz.
Exhibited at festivals such as Ars Electronica, Speculum Artium, ESOF Trieste, The Wrong. She is the recipient of the art+science AI Lab Award (RS) 2020. Works recently published in Leonardo Journal (Vol. 57) and The Practice of Art and AI by Hatje Cantz.
Interdisciplinary artist and researcher, with her most recent practice centred on the artistic and theoretical exploration of the aesthetics and ethics of machine learning applications in visual computational processes. Tracing the impact of emergent technologies in popular culture under critical theory and philosophy in media and arts, her work activity spans through various disciplines - from visual arts, to coding, writing, and music.
Currently, she is pursuing her practical and theoretical PhD research at the intersection of critical AI and Law at the Metaverse Lab [LIFT_C] at the Johannes Kepler University Linz.
Exhibited at festivals such as Ars Electronica, Speculum Artium, ESOF Trieste, The Wrong. She is the recipient of the art+science AI Lab Award (RS) 2020. Works recently published in Leonardo Journal (Vol. 57) and The Practice of Art and AI by Hatje Cantz.
: ABOUT / CV
: WORKS: PORTFOLIO DOWNLOAD
CURRENT / UPCOMING
︎ HUMAN OVERSAIGHT: THE OPS ROOM / Ars Electronica Festival | 03-07/09/25︎ Obi Blanche & Kristina Tica - RAT // NEW SINGLE OUT VIA INFRA
︎ Occulture Conference, MaHalla, Berlin, exhibition | 23-26/10/25
︎ The sixth decennial Aarhus Conference: Computation X Crisis: Proceedings
Ω #postdigitalpunk a research in music and self-built instruments w/ Obi Blanche
M︎L / INTERACTIVE / GENERATIVE
HUMAN OVERS[A]IGHT: THE OPS ROOM: [WEBSITE] / [DOCUMENTARY VIDEO]
AIAMANAI: LOOPS [2024]
PROMPT: WAR STORIES [2022-23]
POWER STRANGERS [2021]
FUTUREFALSEPOSITIVE [2021]
MŒRÆ III [2021]
DIGITAL PRAYER [2020]
SURVEILLANCE DISCO [2018]
THE UNCANNY MIRROR [2017]
AIAMANAI: LOOPS [2024]
PROMPT: WAR STORIES [2022-23]
POWER STRANGERS [2021]
FUTUREFALSEPOSITIVE [2021]
MŒRÆ III [2021]
DIGITAL PRAYER [2020]
SURVEILLANCE DISCO [2018]
THE UNCANNY MIRROR [2017]
+ RESEARCH:CONFERENCES:PUBLICATIONS:TEACHING
Latest: ︎︎︎ Proceedings of The sixth decennial Aarhus conference: Computing X Crisis︎ Top-Rated LGA Abstracts 2023. Leonardo 2024; vol 57 (5): 540–546.
︎ COMPUTATIONAL AESTH-ETHICS: Understanding visual
computation processes between the image and its context
︎︎︎ VIDEO
THEY WILL CALL ON ME, BUT I WILL NOT ANSWER [2018]I WILL DISAPPEAR THROUGH YOUR SCREEN [2018]
DOWN [2017]
MŒRÆ I [2017]
︎PRINT
ALL EXITS ARE FINAL [2024–]
ALL EXITS ARE FINAL [2024–]