Year: 2017-
Dimensions: 180 x 130cm
Medium: Oil on canvas

A Journey Backwards is a series of paintings that have been made during the three year period. Layers of oil applied to canvas are hiding several paintings behind the front one, that were growing and changing during the time, so the process of their creation would have the determined role of a record, a symbolic diary created through marks and strokes, haptic and visual traces in time. Mystical journey through [sub]conscious images, constructed as a map of human’s soul, primarily inspired by the language and the symbolism of Tarot and Alchemical manuscripts, in each painting represents one of the protagonists that carries it’s own “code” of meaning, translated from personal experience into a universal story.


slit-scan project
programmed in javascript

︎ instagram gallery

Artget Gallery // installation view

Catch 22 // installation view

The Uncanny Mirror is an interactive installation, working with a web camera, computer and a projector. In a mystical environment of a darkened room, with a strong spot light source, the visitor is expected to interact with the projection. Capturing the transformations of the image of the present moment, aligning the time that is passing by, frame by frame, columns of pixels are appearing one next to another, sliding over the screen, until the whole image has been created.

The program uses real-time video footage, and is based on a set of algorithmic rules which create a function of slit scan photography, distorts it, allowing visitors to participate and to create a site-specific image. It could appear as distorted portraits or images of their physical appearance, but also abstract images of the space. It questions the audience's approach to possibilities of transformations of digital image, exploring and showing the depth of it behind the computer interface layer.  After each full scan-pass across the width of the screen, the program is taking a screenshot, leaving a photo document approximately every half a minute of its activity, which will be posted to Instagram, after being selected and curated.



stone lithography // digital photography // drawings

Measuring dimensions of intimacy of the view: the degree of presence in the seen.
The boundaries of the space create the geometry of the soul.
The view determines the point, within the architecture of  memory.

The Grid - either a curtain or a cage, is a coordinate system for moving from space [where we are] to the view [what we see]. Separating, but also directing the flow of the interface between the inner and the outer, it gives the character and spirit to what is seen.

Archiving memories and mapping the presence, observed - within the awareness of the personal space and identification with it. The synthetic geometry of awareness and notion of consciousness, recognising and removing the boundary into a non-place, it is from / between - breaks the logical external relations of the elements inside-out, linking the view with the presence. The DE-Construction of the seen is a re-construction of the memory, as key references and acknowledgments to the recognition of past, and non-actual, descriptive self-activation.

The task of such a procedure is to double the already asserted role of the artwork as the principle of affirmation of the existence of * - his own, as well as the author's existence and presence, in this case, directly taking into account the issue of space - where we are and what we see.
*Friedrich Nietzsche — ’Art is essentially the affirmation, the blessing, and the deification of existence.'


︎   //   ︎  //  ︎