Photo credits:

Lidija Ilić

Milan Kralj

Nada Kostić









DIGITAL PRAYER
[2020]

Remont Gallery, Belgrade
Installation view


Project supervisor> Uroš Krčadinac

Programming>     Miloš Trifunović, Mateja Stevanović, Jacques Laroche
Sound Composer > Marija Šumarac
Supported by>    Faculty of Media and Communication, Belgrade
                           Centre for the Promotion of Science, Belgrade





The Digital Prayer project is using one of the computer vision methods for image generating, with final visual output that resembles an orthodox icon. Through pixel generating using Machine Learning techniques and Generative Adversarial Neural Networks, a relation has been established between the canonical structure of an Orthodox icon and the image artificially created through computer program.
A computer program was created and a database of about 4000 digital reproductions of orthodox christian icons was collected, on the basis of which the computer learns to create a completely new image.
In relation towards geometric and mathematical order of the elements inside of the digital reproduction of the orthodox icon, it is expected that, through statistical operations, the computer will we able to repeat and reproduce the elements of canonical imagery of visual language of the icon, which from the viewers perspective would be perceived as symbolical elements.

When all of the aspects of the virtual environment of the digital image in the age of internet are taken into account, this projectional form of appearance on the surface such as the computer interface, it could be claimed that every phenomenon can be translated onto that projective surface. Icon has had the same purpose during medieval times - as a window towards immaterial, projective, spiritual. The image that is seen is just a visualisation of the code and data, which leads us to the analogy proposed by Boris Groys: “The digital image is a visible copy of the invisible image file, of the invisible data. In this respect the digital image is functioning as a Byzantine icon—as a visible copy of invisible God.
The goal of this artistic project is the demystification of the power of the AI. What used to be the God in feudalistic medieval times, it is AI in today’s neoliberalism. Through direction of algorithmic processes towards imitation of the language of the icon, two visual interfaces oppose to each other - virtual world of digital image, and the traditional handcrafted Orthodox icon.

Digital Prayer
[2019]
Festival S.U.T.R.A.,
Museum of Science and Technology, Belgrade
Installation view
Cabaret Mystique is the first solo show project, presenting nine paintings from the series named A Journey Backwards. Paintings have been placed inside a theatrical ambient, in which the synthesis between the theatre scene and fine arts places the protagonists of each painting in the role of an actor, inside a journey into the depths of the subconscious, forming their individual worlds together on the scene.

Presented series of paintings has been made during the three year period. Layers of oil applied to canvas are hiding several paintings behind the front one, that were growing and changing during the time, so the process of their creation would have the determined role of a record, a symbolic diary created through marks and strokes, haptic and visual traces in time.

Mystical journey through [sub]conscious images, constructed as a map of human’s soul, primarily inspired by the language and the symbolism of Tarot and Alchemical manuscripts, in each painting represents one of the protagonists that carries it’s own “code” of meaning, translated from personal experience into a universal story.
Catch 22 Gallery [Kvaka 22]
July 2018 // Belgrade

The Uncanny Mirror
//installation view
Artget Gallery // November 2018 // Belgrade Cultural Centre
The Uncanny Mirror // installation view
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